![]() ![]() The first attempt at improvement that TV director Karen Arthur and teleplay writer John Gay introduced as a magical addition was the masked ballroom dance that opens the TV film with its handsome lead player Mark Harmon enchanting the elderly widow. As the movie came out during WWII, it seems to have a direct parallel to the evil leaders loose in the world, particularly in the film's final scene.While I will be the first to accept that this remake does not have the craftsmanship of the earlier Hitchcock version, there are a few salient facets of the film that Hitchcock might consider to be an improvement over his version. The second half, including the increasing revelation of Uncle Charlie's dark views of humanity and the lengths to which he will go to protect himself, is what make the film so sinister. On the other hand, there is a real small town feeling to this setting, helped in no doubt by Thornton Wilder being one of the screenwriters, and the characters of Charlie's father (Henry Travers) and his friend (Hume Cronyn) passing the time by talking about the perfect murder are absolutely priceless. Some of the tension is also missing because we're pretty darn sure Uncle Charlie is guilty. I considered a slightly higher rating, but thought the pace in the first half of the movie was a little slow. Trouble is just behind him though, and it gets worse when his niece (also 'Charlie', named after him, and played by Teresa Wright) begins to suspect him of being the "Merry Widow Murderer". Uncle Charlie (Joseph Cotten) is on the run from the law on the East Coast, and he settles in with his sister and her family in Santa Rosa. ![]() ![]() Hitchcock said this was his favorite film, and there is a quiet evil about it that makes it truly horrifying. ![]()
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